1. |
Fusion
07:39
|
|
||
2. |
Vision
05:20
|
|
||
3. |
After Wichita
08:39
|
|
||
4. |
Nothing To Say
06:08
|
|
||
5. |
Pretty Princess
08:07
|
|
||
6. |
The Ride Of Your Life
07:52
|
|
||
7. |
Morning Song
06:53
|
|
||
8. |
Four Inches
13:49
|
|
Pryzme Rennes, France
In 2014 Dom and David met with the same desire of writing progressive music. Joined by Max on the bass in 2018 and Gabrielle
on the drums in 2019, the band turned to Pryzme.
Recently, Lucas Planque on drums and Benoit Toquet on bass replaced the bass drum section.
... more
If you like Pryzme, you may also like:
Dwellers of the Deep
by Wobbler
supported by 6 fans who also own “Four Inches”
This might be the least folky of the Wobbler releases and I wasn't sure about it at all. After a few listens however I'm loving the inventiveness and the endless melodies, all driven along by Kristian Hultgren's wonderful percussive bass.
go to album
supported by 5 fans who also own “Four Inches”
Instrumental progressive rock very organic feel but with this release the band has added a flute to their arsenal with excellent guitar and fantastic organ.Not as spacey as Hogtid. The addition of the flute adds a new dimension. The drums and bass perfectly fill out their sound.
go to album
The Penrose Triangle
by Legacy Pilots
supported by 5 fans who also own “Four Inches”
Amazing Music. In my opinion one of the best albums of 2021
go to album
The Long Island metal band's third album etches arena-sized hooks into their jagged compositions, deftly balancing experimental and poppy inclinations.
go to album
Sustained by seismic psych riffs, proggy shifts, and vivid sci-fi storytelling, these Milwaukee cosmonauts command respect.
go to album
Titan Agronomist Project Volume 2 - A Juggernaut that Cannot Be Stopped
by Randy M. Salo
Marauding symphonic metal that pairs stampeding riffs with castle-size organ and tremendous blasts of brass.
go to album
supported by 5 fans who also own “Four Inches”
The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range.
go to album
